DO NOT WATCH THE TRAILER! GIVES TOO MUCH AWAY!
"Don't Breathe" is a much ballyhooed
suspense-thriller from 38-year-old Uruguayan horror-meister, Fede Alvarez, that
I was very eager to see. I don't do straight-up horror/slasher films, but I
could tell that "Don't Breathe" had more of the air of a thriller,
and I wasn't wrong. It's certainly a great little film, but not anything new or
game-changing. I was only disappointed because of all the hype. It's engaging
but not riveting. Curiously, the film begins with a chilling and intriguing
scene of an older man dragging the body of a young blonde woman down the middle
of suburban street in broad daylight. Why is the movie giving all this away?
How is it possible that the neighbors wouldn't notice? Just you wait.
DETROIT
Set in a depressed Detroit (a delicious setting that serves
the film well and is almost a character itself), three young people have become
experts at breaking and entering. They take only high-end goods, clothes and jewelry,
never cash. What's their secret? The fresh-faced Alex (Dylan Minnette) has a Dad that works for a security company. Alex has
access to keys, passwords and remotes that turn alarms off and on. He seems to
be the most well-off and middle-class of the squad. So why is he living a life
of crime? Could it be that he's sweet on "Rocky" (Jane Levy) the
hard-luck blonde whose mother is a true bottom-feeding, white trash trainwreck
(a fact that is brought out deftly in just one scene of Rocky's home life)? The
ringleader is a manically grinning, streetwise "Money" (Daniel
Zovatto) who is also Rocky's boyfriend. There are subtle layers of tension and
circles of conflict. Alex is the one who knows the extent of the illegalities
of each of their potential actions, and constantly reminds them in the moment. Alex
is the film's kind of naive anti-conscience.
UNDERDOGS ALL
The trio plan their last heist. They target a blind veteran (Stephen
Lang) who lives alone, but somewhere in his run-down house is cash from a large
settlement he got when his young daughter was run over by a car. Rocky urges
them to forego their "no cash" rule so that she can make good on her
plan and promise to her little sister to flee their miserable life and go to
California. So we have an underdog city, at least two underdog ruffians, and an
underdog, disabled soldier (the thieves overcome their hesitation about robbing
him by saying: "He's probably not a saint"). Marvelous storytelling
stakes.
AMORAL, SORT OF
When I read the synopsis of "Don't Breathe" before
watching the movie, it seemed it might be a bit of a revenge fantasy, a bit of
a "teach 'em a lesson" morality play, but it's actually quite
relativistic and amoral. Each character is their own judge and jury. They will decide what's right, where the
boundaries are, what justifies what and who will be punished and how. (It made
me thank God that God is mercy!) And yes--there's even some God talk. I won't
do a spoiler, but a character is made to say a variation on Dostoevsky's
famous: “If God did not exist, everything would be permitted."
The blind veteran character was not a total bogeyman. He
wasn't all-knowing and didn't have the house booby-trapped as I had suspected.
He seemed somewhat vulnerable, even as his senses of hearing and smell and
military training overrode his blindness, to the point that he could trap three
young people in his house and hunt them down. He has a gun and knows how to
kill with his bare hands. The playing field is further evened when the blind
man douses the lights. The filmmakers then use a wonderful kind of grayscale
lens or some other technology so that we can actually see the action (unlike so
much "dark digital" TV and film where we are truly in the dark and
can't see a darn thing). Our young anti-heroes even advance toward their hunter--as blind as he is.
MORE, PLEASE!
The tale is told with just a handful of characters; hint:
more than four. That's all I'm going to say.
"Don't Breathe" is being called a horror film, but
there's really very little horror or gore. There are, however, enough twists in
what seems like a straightforward story, and a very unexpected ending. So many
times the film seems to end, our burglars seem safe, they seem like they're
going to escape--but of course, they don't. I was never utterly terrified or
jumping in my seat, but we must, must, must know how this ends.
"Don't Breathe" is an 88-minute, solid thriller
that left me wanting more. The uneasy, unresolved ending leaves room for a
sequel. Because horror-suspense films shouldn't have happy endings now, should
they?
