The THEOLOGY OF THE BODY & MEDIA LITERACY blog of Sr. Helena Raphael Burns, fsp #medianuns
October 31, 2008
October 30, 2008
Damian (Alex Etel), a little boy who reads about and talks to saints--when they appear to him he recognizes them and rattles off their birth and death dates--comes into the possession of a sustantial bag of money. Little does he know it's stolen. His older brother, Anthony (Lewis McGibbon)--a budding young wheeler and dealer--finds out about Damian's stash, and wants to invest it in real estate. However, Damian wants to give it to the poor. Although they disagree about how the money is to be spent, they agree on one thing: not to tell anyone, especially not their widowed Dad (James Nesbitt). But it's not long before the robbers come looking for their money and things turn dangerous.
"Millions" is an exploration of both taking the Gospel at face value, and the childlike faith that is needed to enter the kingdom of heaven. When Damian and Anthony's Dad finally finds out about the money, he is as tempted as anyone to use the money for himself. All the adults have their rationalizations, but not Damian, who angrily stands up to them. The tagline for the film is: "Can anyone be truly good?" Damian wants to be good so he can go to heaven and see his deceased Mum (All Souls), but we also gather that he understands the essence of the Gospel and wants to be good "for goodness' sake."
Heavenly appearances (All Saints)--which are portrayed in both an utterly organic and utterly magical way--include: St. Francis, St. Nicholas, St. Clare, the Ugandan Martyrs, St. Joseph and St. Peter. This film is perhaps one of the most charming ever made (marred only by Damian catching his father in bed with a government lady who came to talk at his school). The filming is lush, glorious and a truly artful. Kids--who probably think along the same lines as Damian--won't enjoy "Millions" as much as teens and adults in our various stages of jadedness. A great question to ask ourselves is simply: What would I do with a million dollars (that wasn't really mine)?
THEATER: "SCREWTAPE LETTERS"
--Pleasure was invented by God, and hell--even with all its research--has not been able to produce even one true pleasure.
October 28, 2008
SECOND MIRACLE FOR MEDIA APOSTLE BLESSED JAMES ALBERIONE?
OK--here's this little cutie-patootie's story, third hand, but I'm sure the gist is correct. Little Owen was having seizures IN THE WOMB, and was so bad off when he was born that the hospital sent him home, with hospice, to die. The doctor overseeing his condition was interviewed by some MEDIA OUTLET about dying babies. Since Owen was such a hopeless case, the doctor decided to take the media people to his house to see a "dying baby." Owen's family had been praying to Blessed James Alberione for a miracle. As soon as the doctor saw little Owen that day, he realized THIS BABY IS NOT DYING. Needless to say, THE MEDIA GOT TO COVER A MIRACLE INSTEAD.
October 21, 2008
October 5, 2008
Part rant, part search, part public discourse (much needed), part documentary, part propaganda, part comedy routine, Bill Maher's "Religulous" (soft "g") is nothing new. No new questions, no new answers.
It's rated "R," but aside from several seconds of a woman's breasts and crude language, it could be PG-13. I'm glad it's not, because young people--with no background, context or guidance--might get confused by Maher's self-proclaimed doubt mongering, at a time in their lives when they're doing very well in the doubt department.Kudos to Maher for starting off with full disclosure of his own religious upbringing and views. His mother was Jewish, his father was Catholic (presumably Irish), and he was raised Catholic until he decided it was all bunk when he was a teenager. His father also stopped going to church around then because, as his mother candidly says, "We were using contraception, and the Church doesn't allow that." (When's the last time you heard that kind of plain and simple honesty?)
Maher's premise is threefold: a) We can't know anything about God with certainty, so our stance should be doubt. b) Religion is a destructive and harmful force that belongs to an unenlightened age. Since God isn't talking to us, others are filling in for Him with their evil and pernicious agendas. c) Religion is a neurological disorder.
What keeps "Religulous" fresh is Maher's approach. He's a comedian by trade, and a bright one, like Jon Stewart and Stephen Colbert. He asks questions that he really wants to know the answer to, and is willing to be surprised, speechless and look foolish (and cause the same in his interviewees). He is extremely inconsistent in his own purported lack of belief, notwithstanding his final "religion-will-bring-about-the-death-of-us-all" tirade at the end. He asks Christian truckers to pray over him. He relates a story of some bargain he made with God when he was forty and wanted to quit smoking. He's obsessed, really, with religion, and I'm sure now has an army of believers praying for him to see the light. If you stay for the credits, you'll hear him (consistently inconsistent) say to his mom--who passed away in 2007, but is in the film--"See you in heaven."
Being the moviemaker, Maher has the upper hand in correcting (via witty subtitles) misspeakers, while his own inaccuracies go unchallenged. (I'm sure a subtitled rebuttal will follow on YouTube.) There's much misinformation tumbling forth from Maher's mouth, but it doesn't feel blasphemous because Maher just cares so much about this stuff. He seeks almost LIKE a teenager, and it's astounding that he hasn't resolved certain basic universal human quandaries yet. The religionists he interrogates don't quite clinch the deal, and take him only halfway. (But I'm betting the editing killed many good answers and comebacks. The brilliant scientist/Christian apologist Francis Collins was only on for a suspiciously short time, and he has some incredibly compelling arguments for belief.)
Maher's anger flairs mostly at fellow Jews, and at the Jesus-actor from a Bible theme park who seemed to touch a nerve when he says that sex and drugs and other escapes may be used to fill the God-shaped hole in each one of us, but it's never going to make us complete and happy. Maher also ponders what "Jesus" said to him about water having three properties: steam, liquid and ice as an explanation of the Trinity. This seemed to make a great deal of sense to Maher.
Maher is comfortable talking to anyone: ultra-orthodox Jews, former Mormons, televangelists, evolution-deniers, radical Muslim jihadist rappers, and an extremely grumpy Vatican priest.
In general, the Catholic Church comes off looking fairly OK, especially when, exasperated with fundamentalists, Maher turns to astronomer Fr. George Coyne, SJ, of the Vatican Observatory (not the grump), who tells him in no uncertain terms that the Bible is not a science textbook. Coyne calls fundamentalism a "plague," and reiterates John Paul II's famous statement that "neo-Darwinist evolution is now more than just a hypothesis."
So, when Maher later insists on interpreting the Bible literally, citing "talking snakes" and the Jonah story, we KNOW that he knows better. This is intellectual dishonesty and a real smoke screen behind which he hides. And he's just stumped by the Virgin Birth (as are many theologians), returning to it over and over. He puts it on a par with Scientology's creed.
There's much to agree with in "Religulous." Bad religion is bad religion. Bad actions of religious people are bad. But what about the good religion has done? No mention. (Whatever good religion has produced, Maher believes is available without God.) The most guileless folks that seemed to touch Maher's heart were the black and white Southern Christian truckers, crammed in their tiny trailer chapel, and the "ex-gay" dude, every bit as worldly-wise as Maher.
Unlike Richard Dawkins (who is an atheist, while Maher is an agnostic), Maher frequently sticks up for Jesus, dissociating Him from his followers, something Jesus never did. ("Saul, Saul, why are you persecuting ME?") Like Dawkins, however, Maher pompously blunders about the religious world without the most basic theological concepts. And if, in his travels, he was apprised of any, those interviews were cut out completely. (E.g., Maher judges the writers of the Gospel by 21st century news-reporting standards.)
Maher thinks religion is for "comfort," and that that comfort comes at the price of religions annihilating each other and the world in some great, inevitable, "will of God" doomsday delusion. He's half right. There are far too many scary Christians who believe it is OUR duty to provoke a violent apocalypse so that Jesus will come back.In a media world of cynicism and spin, at least the jesters are taking religion seriously, even while trying to discredit it.