"90 Minutes in Heaven" is the screen version of a book
by the same name that came out several
years ago. It is a memoir, a firsthand account of a Christian pastor's
near-death experience. The book is excellent. The film? Far from it. In fact,
it fails pretty miserably as a film, and also in doing justice to this
incredible story. Granted, this was difficult to make into a film because so
much of the drama was internal, lacking action or activity of any kind: After a
horrific car crash that left Pastor Don Piper dead, the bulk of the story is
his long, slow, excruciatingly painful recovery. Notwithstanding this
challenge, the film is excruciatingly boring and unintriguing.
CASTING PROBZ
One of the film's main flaws is the casting: Hayden
Christensen as Pastor Don Piper, and Kate Bosworth as Eva Piper, his wife. Christensen
looks like a kid dressed up in his father's toupé, moustache and best business suit. I can do a better male
Southern drawl. It was truly comical. I have seen many a high school play where
any student could have bested this feeble thespianizing. And that moustache. No
matter where he is: preaching a sermon, being declared dead in wreckage or
undergoing rehab in a hospital bed, the squirrely and distracting moustache
abides: always in creepy pristine shape. It almost has a life of its own.
Kate Bosworth*--looking and acting like a beautiful wax mannequin
or an overly-Botoxed model--shows exactly zero emotion through everything
(except that one time when she briefly slams her hands up and down on the
steering wheel of her car). There is also exactly zero chemistry between pastor
and wife.
Did the filmmakers simply not know what to do with
Christians? And a man of the cloth at that? Piper and his wife are not even
one-dimensional. They are half-dimensional. Yes, it's that bad. They actually
relate to one another the way Amish are depicted interacting: extremely formal
and duty-driven. I expected some "thee's" and "thou's" to
escape their lips. You may question, as I did, Eva's momentous decision on Don's
behalf that becomes a tremendous source of physical torture. It almost felt
like some kind of revenge.
APPEALING DEPICTION OF HEAVEN
Two parts of the film that were done well were the ominous
beginning leading up to the crash, and--believe it or not--the depiction of
heaven. Most films make heaven utterly cringe-worthy, but by focusing on warmly
glowing but otherwise normal-looking, normally-dressed, normal-acting people (no
stark white backgrounds or stabs at showing us Jesus) we begin to realize that
"love one another" is really what life (and afterlife) is all about. Don meets family, friends,
acquaintances and strangers as he tells us who they are. It's really quite
wonderful. It's an aspect of heaven that I think many of us picture in our
mind's eye, but don't see in movies.
However, for just about everything else, "Heaven Is For
Real" is a much better film about a near-death experience (my review: http://hellburns.blogspot.ca/2014/05/the-movie-heaven-is-for-real-based-on.html#.VePN7fZViko
). Like "Heaven Is For Real," "90 Minutes in Heaven" ends
with us getting to see the real Don Piper, which is rather unspectacular.
READ THE BOOK, SKIP THE FILM
The palette is perpetually rather hazy and dim. There are
two gaping plot holes (not to be confused with potholes) and a sore, crying
need for editing interminably long scenes where nothing is happening. I was not
able to feel Don's pain in the film, but it was palpable in the book.
I would love to know why the filmmakers and actors took on
this project. Was is a noble purpose? Well then, a noble but awful attempt. Was
it simply for the money? (The book was a major best-seller.) Well then, it
shows. Sorry to be harsh, but I gotta call 'em like I see 'em. As one of my
Sisters said: "Maybe some books just shouldn't be made into movies."
___________
*who is married to film's director
*who is married to film's director
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