The THEOLOGY OF THE BODY & MEDIA LITERACY blog of Sr. Helena Raphael Burns, fsp #medianuns
June 21, 2011
MOVIES: "SUPER 8"
“Super 8,” written and directed by the prolific TV/movie guru, J.J. Abrams (“Alias,” “Lost,” “Star Trek ” prequel, “Cloverfield”), is a collaboration with his hero, Steven Spielberg (who similarly started very young shooting “movies”). Actually, Abrams has known Spielberg since he was 15, but that’s another story.
“Super 8” is a semi-autobiographical story—set in 1979--about a bunch of middle-school friends who set out to shoot a zombie movie when they witness (and get on their Super 8 camera) a train crash involving the paranormal.
Charles (Riley Griffiths) is the demanding and overbearing natural-born director who uses big words and proper film terminology (and who also uses an unnecessary amount of profanity and blasphemy: “God,” and “Jesus” are every other word). I know that’s supposed to be his schtick, but it’s ugly, especially out of the mouth of such a young dude. “God” is bad enough, but I cringe every time I hear “the only name by which we may be saved” taken in vain. The Holy Name Society encourages us to whisper (or shout if you like) “…may He always be praised,” whenever we hear His name slandered. Hey, it’s giving us the opportunity to praise!
Joe (Joel Courtney) is the main character, and he’s, well, luminous. Kind of looks like and reminds me of the kid in “Almost Famous.” He has a crush on the female lead, Alice.
Cary (Ryan Lee) is the natural-born camera/SPFX guy (or maybe just a pyro) who looks like a little Tom Petty and provides comic relief and fireworks on call.
Martin (Gabriel Basso) is the male lead and a big chicken.
Alice (Elle Fanning) is the scrumptious female lead and natural-born actress. There are two wonderful scenes where she dazzles and enchants the guys with her ability to emote. Her character is sweet, sensitive, strong, reserved, and, at times, uncertain. Quite the age-appropriate.
“Super 8” is extremely reminiscent of “Close Encounters of the Third Kind,” the wind, the night skies, the shining lights, the alien presence, the supernatural abductions, take-over of cars/electricity/energy sources, the pregnant silences followed by sudden jolts. It actually feels more Spielbergian than Abramsian! However the “monster” is pure Abrams, extremely reminiscent of “Cloverfield,” especially the slow reveals and the noises IT makes.
The middle-schoolers are truly middle-schoolers with a certain innocence to them. Middle-schoolers should LOVE this film of which they are the stars as well as the stars of the film-within-the-film (make sure to stay for the credits to watch the kids’ finished zombie film). “Super 8” is especially pertinent today with virtually every young person shooting video from their childhood on, on inexpensive, high-quality video phones and other handheld devices. The child actors are pros, and the story is truly told from a tween POV by filmmakers who are still in touch with their own youth.
THEOLOGY OF THE BODY: Joe and Alice have both lost their mothers and have rocky relationships with their Dads. The lack of the feminine/motherliness in both their lives (and that of their fathers) leaves a gaping hole. This is portrayed in a true-to-life way, and I believe that Spielberg and Abrams (both good, wholesome family men), really believe in this ying-yang, but I have to say that it does feel like our emotional buttons are being very deliberately pushed here. (Which I never mind, but other movie-goers may. I’m a big fan of emotions.) The MOST Theology of the Body scenes for me are Alice’s acting and the guys’ reactions, and another lovely scene where Joe watches a home movie of his deceased mother with himself as a baby and says: She always looked at me like I mattered, like I existed.
The 1970’s era is captured well with lots of great artifacts: macramé owl wall-hanging, TAB, Soviet scare, “Keep on Truckin’,” CBs, dial-phones (OMGosh how did we STAND that?!), Pillsbury foodsticks.
The plot is very familiar, but enjoyable. I left the theater smiling. Broadly.
--A small, select, solid choice of 1979 songs.
--The unknown actors (except for Kyle Chandler as Joe’s Dad) really works well—gets us focusing on the story.
--We didn’t say “awesome” or “dork” in the 70’s. We didn’t.
--Those red Twizzlers again.
--Lots of “historical” guffaws: “There is no overnight developing of film.” The first cassette Walkman: “a slippery slope.”
--Spielberg loves TV! He always has TVs going in the background in people’s homes and we can always catch what they’re saying….
--Lots of great, continuous realistic dialogue and chatter.
--Good “drugs are bad” lesson. Older teen misses all the fun and is useless because he’s stoned.
--“Super 8” was edited by two women.
--No super-long chases. They’re very short-spurt-chases. Sr. Helena likes this better than long, boring chases. But she does like long, exciting chases (like in “The Island” on a SoCal freeway).
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I thought it was "Close Encounters of the Third Kind" Sr. Helena? I LOVED that movie when it came out. Now, it's really dated. But it's still great. What is amazing about Spielberg is how he single-handily created a whole new genre of movie: the Sci-Fi Dramedy. Most sci-fi in the 50s and 60s had very little good acting and direction. But Spielberg changed that entirely with Jaws which were replete with intense drama, comedy, and sci-fi based around a man eating shark. That style found its way into CE3rdK, E.T., and Raiders of the Lost Ark. Although I think Jaws may have been the best movie of the lot. I hope that Abrams carries the Spielberg torch yet creates his own style was well (Cloverfeild was great!) I'm looking forward to seeing "Super 8". Thanks for the positive review!ReplyDelete
By the way I'm a priest at St. Helena in the Bronx, NY. You have a good patroness.
I couldn't disagree with you more. This is a film with a satanic creature and a body count that increases from the moment the movie starts. This is not a family movie and it was just another example of Hollywood healing without God.ReplyDelete
The title of your blog is great! Nice review, too. I'm looking forward to seeing this.ReplyDelete
Fr. John--Eeeeek! Thanks for noticing my glaring boo boo! Yes, I love my patron, St. Helena. I have a first class relic of her that I confiscated from my Mom because she was using it to hold up the mirror on her dresser (my Mom is also Helena). Mom's excuse: "She's being useful." I told her it was sacrilege! ha ha haReplyDelete
St. Helena is the patroness of difficult marriages (among a few other things). I follow the "Bronx Zoo Cobra" on Twitter.
Anonymous--True, no mention of God (except to blaspheme!), but body count? (I don't want to give plot away here, but I only remember one death-murder).ReplyDelete
Sister, you must have had your eyes closed. The satanic creature even ate one of his victims.ReplyDelete
Anonymous---oooooh, yes! I was thinking of all the people at the beginning we THOUGHT were destroyed. Good point--it was the "evil military" that got offed! Political statement right there?ReplyDelete