"The Boy in the Striped Pajamas" (from the 2006 children's novel) is a fresh, unblinking, exacting gaze at the horror that happened not so long ago. The movie poster says it all (please ignore the lame tagline on the poster)--there is "us" and "them," or rather "us" and "not-them." Two little eight-year-old boys on either side of a barbed wire fence, Bruno (German) and Schmuel (Jewish), try to make sense of something that doesn't make sense at all.
Bruno's (Asa Butterfield of the biggest, bluest peepers ever) Dad (David Thewlis) is a Nazi officer who moves the family a little too close to a concentration camp. Bruno, who loves adventure books and aspires to be an explorer, disobeys and has--very believable--clandestine meetings with Schmuel (Jack Scanlon). Once you get over the British accents and British-isms coming out of the mouths of Germans and European Jews (just embrace the exquisite British acting!), "Pajamas" is a "perfect film." I repeat, "Pajamas" is a perfect film. It's rated PG-13, but younger children should definitely see it also. (The Brothers Grimm pulled no punches either.) Life hurts, life is harsh. Evil is real. What side do YOU want to be on? This is probably THE best Holocaust movie for children because the story is simple, linear, and follows a child's process of reasoning.
If we are becoming a post-literate society, film can be a great way to peer into history, and examine our values. Although no Holocaust movie seems to capture the terror, the utterly debased living conditions, the outsized cruelty, this film gets to the living heart of the matter: What was going on in Nazi Germany and why, in all its nationalistic, ideological, "we're making the world a better place," murderous fervor. (See Ben Stein's movie "Expelled" for the Darwin-Hitler "natural selection" connection.)
"Pajamas" is also the story of a little boy who wants to be proud of his father, but can't. (What DID the Nazis tell their children when the propaganda didn't work?)
The score by the incomparable James Horner is imperceivable and scant. Silence and words are the eloquence here. Note the silence after Bruno asks Schmuel what he did wrong and Schmuel answers: "I'm a Jew." The same uber-civilized piece of classical music wafts through happy and gut-wrenching scenes alike.
The ending? Better the young people who go see this film realize what really happens when you start calling certain categories of persons "non-persons." Life is not a videogame.
I can't wait to check it out. Apparently I don't know - I guess because I live under a rock - is this movie out in theatres or can I rent it yet?
One of the best movies I've seen - recommended by my dear friend Fr. Patrick, was Hotel Rwanda - not a warm and fuzzy flick - but one that needed to be seen.
I do want you to know I apreciate your blog - I check it often and can't wait to see what's new!
BISP is in theaters in chicago. i saw "hotel rwanda" and didn't think it portrayed the horror. i wasn't scared or tense at all during the movie, and neither were the main characters. but then someone said i have to see "beyond the gates" about the true story of a priest in rwanda--they said it's really tense and really shows the horror. i haven't done my homework yet on it! God bless you, too, and thanks for reading my humble blog! GO BLUEJACKETS!!! Sr. H <><
I thought that "Sometimes in April' was a much better film about the tragedy in Rwanda than "Hotel Rwanda". If you haven't seen it, you should check it out.